In the intricate tapestry of cultural comprehension, visual representation stands as an insight, shaping our perceptions of diverse societies and individuals. Iconographic images, laden with historical significance, serve as a portal into the narratives of history. The exhibition „THE VALUE OF NOTHING“ delves into 15th-20th century European paintings and illustrations, juxtaposed with the West African sculpture works. It focuses on European representations of black bodies, through the multifaceted lenses of colonialism, slavery, and the oriental gaze.

The exhibition, a poignant collage of historical reevaluation, unfolds as a drawing mural sprawling across two wall surfaces, with figurative human body depiction. Here, the appropriation of European images transcends mere aesthetic homage, morphing into a dynamic channel for critique and an unyielding remembrance of our turbulent past, viewed through the lens of modern sensibilities. The aftermath of the exhibition culminates in a performative act – the ritualistic painting over the mural drawings, symbolizing a nuanced dialogue between the present and the echoes of history. At its core, „THE VALUE OF NOTHING“ offers an insightful lens into our past histories by redefining the boundaries of visual commentary.

Central to the exhibition’s narrative are the portraits of „Jean-Baptiste Belley (Mars)“ by AnneLouis Girodet and the enigmatic „Portrait of Madeleine“ by Marie-Guillemine Benoist. These drawings, with their interplay of gaze and power dynamics, serve as pivotal subjects for historical reimagining. „THE VALUE OF NOTHING“ meticulously unravels the threads of their cultural relevance, presenting visitors with a fresh perspective on pre-existing images and their intricate conditions. In this experience, the exhibition becomes a living tapestry where the past and present converge, inviting contemplation on the nature of commemoration. „THE VALUE OF NOTHING“ tableau, inviting reflection on the perpetual dance between history, art, and the human gaze. (visit also in our archive „all the kings horses“)